Grendel #1 features features Hunter Rose as Grendel. It establishes the foundation of his dual identity, delving into his motivations, and setting the stage for his future conflicts and confrontations.

The series explores themes of violence, power, and the blurred lines between heroism and villainy. It is known for its dark and gritty storytelling, intricate artwork, and complex character development.

“Grendel” has gone on to become a significant and influential series in the world of comics, with subsequent storylines featuring different individuals who take up the mantle of Grendel in various time periods.

Grendel #1 Comic 1986 Graded CGC 9.2 2nd Print

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It focuses on exploring how Spider-Man interacts with other heroes, villains, and the citizens of New York City. It delves into Peter Parker’s personal life as well as his struggles as a college student.  It also features the responsibility he feels as Spider-Man.

Web of Spider-Man #48 CGC 9.6 1989 Marvel – Currently available on ebay

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This issue, like all Archie comics showcases Archie’s humorous and relatable adventures in the fictional town of Riverdale.

Archie Andrews became the centerpiece of the “Archie Comics” franchise, which encompasses various comic book series, including “Archie,” “Archie’s Pal Jughead,” “Betty and Veronica,” and many others. The characters have been a staple of the comic book industry and have also expanded into television, movies, and animated adaptations.

The enduring popularity of Archie and his friends is due to their relatable teenage experiences, lighthearted humor, and enduring friendship dynamics. The characters have resonated with readers of all ages for decades, and the Archie Comics brand has remained a significant presence in popular culture.

Pep Comics #83 1951 CGC 4.0 – Available Now on ebay

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Elektra #3 CGC 9.8 2nd Print (2001, Marvel Comics) – Available NOW on ebay

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The Back Story of ELEKTRA

Elektra Natchios, commonly known as Elektra, is a fictional character in the Marvel Comics universe. She was created by writer Frank Miller and made her first appearance in Daredevil #190 in 1983. Elektra has since become one of Marvel’s most recognizable and complex characters.

Elektra’s backstory revolves around her upbringing and her journey into becoming a highly skilled assassin. She was born in Greece to a wealthy family, with her father being a powerful ambassador. However, her life took a tragic turn when her mother was killed during a terrorist attack. This event deeply affected Elektra, and it marked the beginning of her transformation.

Elektra was sent to study at the prestigious Hand, a ninja training school, where she honed her martial arts skills and developed into a formidable fighter. During her time at the Hand, she became entangled in a romantic relationship with another student, Matthew Murdock, who would later become the superhero Daredevil.

After leaving the Hand, Elektra embarked on a dark path, embracing her skills as an assassin for hire. She became known as a deadly and mercenary assassin, taking contracts from various criminal organizations and high-profile clients. Elektra’s reputation as an assassin grew, and she became renowned for her proficiency in martial arts, particularly her expertise with the sai, a weapon of choice for her.

Elektra’s complex relationship with Daredevil is a significant aspect of her backstory. Despite their romantic connection, they often find themselves on opposing sides due to their different ideologies and methods of dealing with crime. Elektra is frequently torn between her love for Daredevil and her own dark impulses, which often lead her down a path of violence and vengeance.

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Wonder Woman #88 DC 1994 CGC 9.8

WHO IS DOCTOR FATE who appears in Wonder Woman #88

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Man-Killer was initially portrayed as a former professional wrestler who turned to a life of crime. She clashed with Spider-Man on multiple occasions and also faced off against other heroes like She-Hulk. Over time, her motivations and alliances have varied, but she has typically been depicted as a formidable adversary.

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Amazing Spider-Man #37 1966 Marvel CGC 1.8 1st App Norman Osborn – Available NOW on eBay

WHO IS NORMAN OSBORN?

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 Werewolf By Night #37 1976 Marvel CGC 8.5 3rd App of Moon Knight – Available NOW on ebay

Werewolf by Night and Moon Knight

Werewolf by Night is a character who first appeared in Marvel Spotlight #2 in 1972. His real name is Jack Russell, and he is a man cursed with lycanthropy, transforming into a werewolf during the full moon. Werewolf by Night has had his own comic book series, which explores his struggles with his inner beast and his battles against supernatural threats.

Moon Knight, on the other hand, is a separate character who debuted in Werewolf by Night #32 in 1975. His real name is Marc Spector, a former mercenary turned crime-fighter. Moon Knight possesses enhanced strength and agility, and he fights crime using his martial arts skills and an arsenal of high-tech gadgets. What makes Moon Knight unique is his dissociative identity disorder, which manifests in various alter egos, such as millionaire Steven Grant and cab driver Jake Lockley.

In Werewolf by Night, Moon Knight made his first appearance as a supporting character and opponent to Werewolf by Night. Moon Knight mistakenly believed that the werewolf was a villain and tried to capture him. However, the two characters later formed an alliance and teamed up in subsequent storylines.

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In Werewolf by Night #3, the ongoing narrative of Jack Russell as he grapples with his werewolf curse and the challenges it presents. In this particular installment, Jack finds himself in conflict with the villainous organization known as the Committee. As the werewolf, he becomes a target for their nefarious schemes.

The issue explores Jack Russell’s struggles to control his lycanthropic nature while navigating the dangerous world of supernatural threats. It also introduces supporting characters like Buck Cowan, a detective who becomes an ally to Jack in his battles against evil.

The creative team behind “Werewolf by Night includes writer Gerry Conway and artist Mike Ploog. Conway’s storytelling and Ploog’s atmospheric and moodyartwork contribute to the dark and eerie tone of the series.

The series is known for its blend of horror, fantasy, and superhero elements, and it provided a unique exploration of the werewolf mythos within the Marvel Universe. The series gained a devoted following and has remained a cult favorite among fans of supernatural-themed comics.

WereWolf By Night #3 CGC 9.0 Marvel 1973

The origin of Jack Russell, Werewolf by Night

The origin of Werewolf by Night in Marvel Comics can be traced back to “Marvel Spotlight” #2, published in February 1972. This issue introduced the character Jack Russell and established his background as the cursed werewolf.

In “Marvel Spotlight” #2, written by Roy Thomas with art by Mike Ploog, the story reveals that Jack Russell is the son of Gregor and Laura Russell. Gregor had been afflicted with a curse that transformed him into a werewolf during every full moon. The curse is passed down to Jack, making him the next in line to bear the curse of lycanthropy.

Following his initial appearance, Werewolf by Night received his own self-titled series, starting with “Werewolf by Night” #1 in September 1972. The series further delved into Jack Russell’s struggles with his werewolf nature, his attempts to control the beast within, and his encounters with supernatural threats.

Throughout the series, Jack’s adventures brought him into contact with various Marvel characters and villains, including Moon Knight, Dracula, and the Man-Wolf (John Jameson, the son of J. Jonah Jameson). The series ran for 43 issues, concluding in March 1977.

Werewolf by Night’s ongoing series and subsequent appearances in other Marvel titles cemented him as a unique and enduring character in the Marvel Universe, adding to the diverse roster of supernatural and horror-themed heroes and anti-heroes.

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In “mazing Spider-Man #10, the story is titled “The Enforcers!” The issue opens with Spider-Man, who is actually Peter Parker, facing off against a new gang of criminals called the Enforcers. The Enforcers consist of three members: Montana, Ox, and Fancy Dan. They are hired by a mysterious figure known as the Big Man, who controls the criminal activities in New York City.

During the course of the story, Spider-Man encounters the Enforcers multiple times, battling them and trying to uncover the identity of the Big Man. At the same time, Peter Parker deals with his personal life, facing challenges of keeping his secret identity hidden from his loved ones and juggling his responsibilities as Spider-Man.

This issue is notable for its engaging storytelling and dynamic artwork by Steve Ditko. It showcases Spider-Man’s resourcefulness, acrobatic abilities, and witty banter as he confronts the Enforcers. Additionally, the issue further explores the themes of power, responsibility, and the struggles of maintaining a dual identity, which became integral aspects of Spider-Man’s character.

Amazing Spider-Man #10 CGC 1.8 1964 Marvel 1st App Big Man And Enforcers

Some of the Top Steve Ditko Covers – Amazing Spider-Man

Steve Ditko’s covers are highly regarded for their dynamic compositions, striking imagery, and unique visual style. While it’s subjective to determine the “best” covers, here are a few notable examples that are often cited as some of Ditko’s standout cover art:

1. “The Amazing Spider-Man #33” (1966): The cover of this issue is a powerful image that showcases Spider-Man trapped under the wreckage, struggling to free himself. The use of deep red tones and the dramatic perspective contribute to the sense of urgency and danger. It is considered one of Ditko’s most iconic and memorable covers.
2. “The Amazing Spider-Man #31” (1965): This cover features a dramatic showdown between Spider-Man and Doctor Octopus. The use of diagonals and the energy in the composition create a dynamic sense of motion and tension. It captures the intensity of their conflict and showcases Ditko’s skill in depicting action scenes.
3. “The Amazing Spider-Man #12” (1964): The cover of this issue presents an eye-catching image of Doctor Octopus menacingly grasping Spider-Man while unmasking him. The contrasting colors, dynamic poses, and the expressive facial expressions contribute to the dramatic impact of the cover.
4. “The Amazing Spider-Man #38” (1966): This cover depicts Spider-Man being crushed under a massive steel beam held by the menacing Green Goblin. The use of bold, contrasting colors and the menacing presence of the Green Goblin make it a visually striking cover that captures the danger and excitement of the story.

These covers demonstrate Ditko’s ability to create visually compelling and dramatic images that grab the reader’s attention and convey the essence of the stories within.

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